ONOMAPOETIC UNIVERSALITIES IN THE NOSTALGIC DRAMA BY HELENA ANATOLYEVNA GREMINA

Abstract

The article is devoted to the study of proper names in the context of such dramatic works by H. Gremina, as "Eyes of the Day", "Sakhalin Wife", "Behind the Mirror", "The Case of Cornet O-va". The novelty of the work lies in the fact that earlier the onomasticon of Russian drama in the second half of the ΧΧ century, including the plays by H. Gremina has not been studied, but meanwhile it occupies a special place and plays an important role both in understanding the theoretical foundations of literary onomastics and in their further development. The paper enumerates the traditional and innovative onomapoetic universals of modern drama on the example by H. Gremina. The materials of the article can be used for educational and educational purposes in higher and secondary educational institutions – in teaching university courses in lexicology, linguistic analysis of a literary text, modern Russian literature, as well as special courses and special seminars on onomastics. The results of the study will be of interest to a wide range of teachers and teachers of Russian literature, introducing modern achievements in the philological sciences into the educational process.