THE MOTIF OF MEMORY IN C. HEIN’S TRUTZ
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Abstract
The analysis of the historical originality of C. Hein based on the "Trutz" (2017) novel is carried out. The main conflict, “friend” – “foe” opposition, is represented by forced migration in two totalitarian systems, fascism and Stalinism. Dealing with the past is the most important point of the writer’s aesthetic program. C. Hein sharply criticizes the essence of totalitarian states, the mechanisms of manipulation and suppression of citizen’s personal freedom. The study subject is the memory motif, which is realized through the image of the family. There are repeating motifs, images (the motif of trauma, memory, the image of the family) and author’s techniques (emotional-semantic nuance of the name, using of symbolism).
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References
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