POLIPARADIGMALITY OF THE BELORUSSIAN CULTURE (XIX – FIRST QUARTER OF THE XXth CENTURY)

Abstract

We analyze the complex and contradictory process of deployment of the Belarusian musical culture in the context of the dichotomy of East - West. It is noted that the work of local composers and performers at the end XVIII - the first quarter of the twentieth century. created under the influence of Western European socio-cultural paradigms and styles. The result of creative work of professional musicians of Belarus were noticeable changes in the musical intonations, in the democratization of image-building and expressive language of music. In the twentieth century gradually begins to be assimilated by the creators of folk music, comprehended as a promising line and the vector of development of the Belarusian professional musical culture.