FRENCH CINEMA OF THE “NEW WAVE”
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Abstract
The article examines the philosophical foundations of French cinema of the “new wave”. The researcher considers one of the models of cinematic authorship, based in their discussions on the philosophy of atheistic existentialism of Jean-Paul Sartre and Albert Camus, using as a material for scientific research work of Francois Truffaut, Jean-Luc Godard, Claude Chabrol, Louis Malle, Eric Rohmer, Jacques Rivette, Alain Resnais. The author examines the existential interpretation of ideas in the film works most prominent representatives of the French author’s cinema, starting from his own observations, as well as the active use of historical and theoretical basis of domestic and foreign researchers By analyzing the content and form of copyright movies, as well as figurative and expressive means of the researcher relies on the basic principles of philosophical vision and reality show artist, develops a conceptual approach, according to which the French cinematic model of authorship is regarded not only as one of the most important characteristics of human activity, but as a true.
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